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the

studio

“I formed my company, GENERAL PUBLIC with a view to bring good art to more people. As a long-time art lover and collector, I became fascinated with the concept of reproducing paintings using 3-D technology. I believe the artist’s work should be shared by as many people who wish to own it and not just enjoyed by one collector.”

 
 

MAKE. FIND.

CURATE.

At GENERAL PUBLIC we curate great art from within the walls of our studio and from artists across the globe. All artists receive a royalty from each SYNOGRAPH ™ sold.

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Portia de Rossi. CEO/Co-Founder

 
 

INTRODUCING

THE SYNOGRAPH

Unlike the current method of printing, which is merely a flat poster version of a painting, our textured prints are nearly identical to the original with all the texture and articulation created by the artist. I like to think of the originals like sculpture molds, and that the prints are as valuable as the original painting. A SYNOGRAPH ™ like a photograph, allows the artist to create multiple works from the original, thereby taking great paintings out of galleries and making them available to the GENERAL PUBLIC.

 
 
 
 
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featured artist

PAUL VAN RIJ

 
 
 
 
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ARTIST PROFILE

PAUL

VAN RIJ

LAREN, THE NETHERLANDS

The beauty of the passing of time - gradual decay and the layering of aging - is a constant source of fascination. The voice that Paul Alexander van Rij seeks to capture and expresses in images is the voice of the elements that slowly but surely impose their will on matter. Paul van Rij lives and works in Laren, Netherlands. 

 
 
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THE NARRATIVE

GOLDEN

AGE

The Dutch. Innovators, explorers and artists, the Dutch have always been cutting edge and making history because of it. When you think of art I can almost guarantee you think of a Dutch painter. Rembrandt? Dutch. Van Gogh? Dutch. Vermeer? Dutch. What about de Kooning, Mondrian and Escher -Yup all Dutch. Well, add Paul Van Rij to your list of Dutch artists making a lasting mark. 

Paul Van Rij is a talented, self taught painter who lives and works in The Netherlands. His influences are industrial themes with a strong sense for color palette inspiration coming from nature. You can see in his work the depth of time and skill that goes into piece, layer by layer a story is told. We asked Paul some questions about is practice and his responses are as deep as his work.

What is your favorite ART MOVEMENT?

AbEx for sure. 50’s and 60’s de Kooning, Kline and Motherwell most of all.

What influences your color palette?

I mostly use earth colors, tar, rust, and black & white. Many of my paintings have an industrial theme. But more and more color comes in.  Light blue and dark yellow.

Do you listen to music while you paint?

Yes always. Cannot paint without it. From Bach, Goldberg Variations f.i. to jazz: Miles Davis, Keith Jarrett, Nils Frahm. And many more.

FIG 1. FRANZ KLINE IN THE STUDIO

 

What is the inspiration for White Fences 5?

It is a section of a wooden fence. I often paint surfaces. Can be wood, stone, leather, concrete, iron. I am interested in the surface of an object, like a fence or a floor, wall gets interesting after time, use and weather. Old layers of paint surface again. It should always be abstract and not realistic, but I want to come close to the skin of an object. 

Many series are about the skin.

In this case it also contains a piece of rusted iron. Old Industrial sites are inspiring. Same for old parts of cities. I once had an exhibition in Antwerp called: The Beauty of Urban Blight. There are two series that are meant to be more impressionistic: Cap Ferrat and Berlin Noir. Although even in those paintings it it not difficult to see a surface in them.

What do you do when you aren't painting?

Reading, studying, thinking about paintings at hand. But also of course we go out to see friends etc. and we travel a lot. I get a lot of inspiration during traveling.

I am lucky to have studios and storage in my house so I often go back to the studio to have a look at paintings that I am working on, and then go back into the house.

Any tips to pass on to young aspiring painters?

Practice, practice, and experiment 10 hours a day and never give up. Travel a lot and see things, talk with other artists.

And forget everything you were taught.

- Paul Van Rij

 
FIG 2. STRUCTURES 14 BY PAUL VAN RIJ

FIG 2. STRUCTURES 14 BY PAUL VAN RIJ

FIG 3. BLACK UNTITLED BY WILLEM DE KOONING 1948

FIG 3. BLACK UNTITLED BY WILLEM DE KOONING 1948

 
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how it

works

Submit your bio and an image of the work you would like us to consider for publishing. If accepted by our panel of professional art advisors, we will ask you to send your paintings/works on paper to us on consignment for 60 days after which time, we ship them back to you. We pay for shipping to GP, you pay shipping to get it back. It’s time for the art world to join the real world.

 
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THE PANEL

ART

ADVISORS

 
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HAYLEY MINER

ART CONSULTANT / INTERIOR DESIGNER

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SLATER HERMAN

ARTIST / MA SOTHEBY’S INSTITUTE OF ART

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SAMANTHA GLASER

DIRECTOR / PARTNER KOHN GALLERY

 
 

NEW COLLECTION

GENERAL PUBLIC PRESENTS

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LOS ANGELES, CALIFORNIA

Selected works now available at the Jean de Merry Showroom in Los Angeles. An exhibition of works by Alexandria Rose, Darel Carey, Isabella Innis, Justine Hutchinson, Sarah Bird, Kali Sanders, Sallie White and Seb Sweatman.

 

SHOP

THE

COLLECTIONS